Skiing California Sierra Nevada Fourteeners

Skiing the Eastern Sierra Nevada Fourteeners

by David Page with photos courtesy Christian Pondella

This article first appeared in EastSide Magazine

From a distance it looked perfect. Perfectly epic. But from the summit, with skis on, looking down at an enormous chockstone wedged into the trap door of a fifty-five degree couloir, nine thousand vertical feet above the trucks, a sliver’s width passage to either side and only the thinnest of early-spring rot to look forward to, the prospect suddenly became, as Pondella would later recall, “frickin’ dicey.”

Chris Davenport approaching the Sierra Nevada's Keeler Needle and Mt. Whitney

Davenport had flown out from Aspen a few days earlier, had rented a car in Reno and driven down to Mammoth to catch Pondella. The plan: to effect a quiet, personal, media-light tour of the highest peaks in California’s High Sierra, to tick off as many fourteeners as time and conditions might allow, to get some sun, some good pics for the sponsors, to camp out in the sagebrush with friends, maybe do some bouldering, etc.—you know, easy, Eastside-style.

Having already bagged every last fourteener in Colorado—climbing and skiing off fifty-four summits in just under twelve months, and publishing a book about it—and having ticked off Rainier and Shasta soon thereafter, this was all that was left: fourteen more wind-battered patches of rock and snow to complete the whole list for the Lower 48.

Although the pace would prove blistering by mortal standards—at least two big mountains for every three days—Davenport didn’t seem in any real hurry to finish. “The idea is just to submerse myself in the range,” he said, like a man beyond last call contemplating the olive at the bottom of his martini. “It’s like meeting a new girlfriend, just kind of figuring her out.” As if to say: Hey, what’s the rush? Let’s put another quarter in that juke box.

In less than a month he’d be back to real business: helicopters, film crews, full entourage—and the pressure of getting it absolutely right down four of the most iconic and difficult lines in the Alps. “It’s brutal,” he would say later, on the phone. “But it’s work. And I have to work.”

Pondella had made an early-season recon flight with Glen Poulsen, just before Christmas, which had shown the southern peaks fairly ready to go. The Palisades, where in a fat year a crew like this might be able to knock out a handful of summits from a single base camp, were all exposed rock and ice. “We weren’t sure about Whitney,” recalled Pondella. “But we could see Langley was in, Split was in, Williamson was in. We weren’t sure about White.”

It seemed natural enough to start with Langley, at the south end, and work north from there. So they slept in the truck at the top of the moraine, right at snowline, and before dawn set out up the Tuttle Creek drainage toward the peak formerly known as Old Mount Whitney.

It was the third week in March and the Sierra Nevada was already deep into premature springtime. Snowpack was barely average. Still, the climb was straightforward and they were able to ski off the true summit on decent winter snow, dropping fast down the southeast couloir and all the way back to camp on fine corn. Up and back they were the only two people in the world. And by the end of the day they were blissfully bedding down in the parking lot at the Whitney Portal, requisite permits on their persons and a modest quotient of Tecate in their veins.

Chris Davenport skiing the Sierra Nevada's Mt. Williamson

From the Mountaineer’s Route they watched dawn splash bold across the east face. They crossed paths with two parties on the way up, the only other humans they would see in the backcountry that week: one, a pair of exceedingly well-encumbered gents, outfitted as if to spend three months besieging Everest (“as if they’d just robbed an REI store,” said Davenport); and later a solitary European fellow who had summited early and though equipped for a few nights out was already on his way back, having forgotten to bring fire for his campstove. For the former party there was nothing to be done; for the latter a spare lighter was produced from Dav’s first aid kit.

Chris Davenport skiing Sierra Nevada's Mt. Whitney

At the ridge they were surprised—and not a little pleased—to discover a thin tongue of perfect chalky snow right to the summit. It was an exciting rock-scramble for the last three hundred vertical feet, and “definitely a no-fall zone coming back down,” but they were able to ski the whole way. And still make the last hour of sun at the Buttermilks.

“It was one of the greatest days you could ever have,” said Pondella. “To climb and ski Whitney, to watch the sunrise on the east face, across some of the most beautiful granite in the Sierras, and five hours later to be climbing up the granite boulders at the Buttermilks—there’s not many places you could have it that good.”

To cap it off they decided to forego the cozy intimacy of the truck in favor of “Jacuzzi, internet and nice beds” at Pondella’s place up the hill. And the next day afforded themselves a break, went down to the Gorge for an afternoon’s fingerwork on welded ash. But by moonrise that evening, having met up with John Morrison from Tahoe, they were back to work—with a good fire going and a plan for taking Williamson.

Morrison dropped in first. “And as he was sidestepping in,” Pondella remembered, “he took all the snow right down to the rock.” Davenport tried the other way, around the right side, sidestepping down three or four feet and hopping into the air. “It was one of the sketchiest turns I’ve ever seen,” said Pondella, “but he stuck it.”

He also scraped the place clean, leaving the poor photographer to undergo what he would later describe as a “mini-epic.”

Down where Davenport had made his hop-turn, Pondella found himself tips and tails on rock. “My skis were doing the bow-and-arrow-thing,” he remembered. “I was sketching.” The only option from there was to point it for five feet—then stop. “And I’m like: I can’t do that—this could be the last—I fuck up that’s it I’m done.” Finally he slid his pack off, ever-so-gingerly, unhitched his crampons, threw his axe into the snow and managed to get one ski off. “Once I got that first crampon on I was fine.”

Hemingway once tried to make the case that bullfighting was “the only art in which the artist is in danger of death.” This in the days before high-powered energy drinks, before fat skis and alpine touring bindings and synthetic climbing skins, before Davenport & Co. The artistry of it, Papa argued, was in the matador’s performance, in the degree to which he was able to control the amount of danger, to run it “exactly as much as he wishes”—without dying. Surely this is also the measure of those few individuals who, with or without specific promises of financial remuneration, choose to leap from the planet’s highest pinnacles on skis.

The line down the southeast face of Split—next on the list—was considerably less hair-raising. Still, it distinguished itself, off the top, with some of the worst so-called snow either man had ever skied. Redemption came swiftly, though, in the form of nearly seven thousand vertical feet of smooth, high-grade corn—enough of the stuff to cover the vertical drop from the high-altitude doughnut counter atop Pike’s Peak to the Dunkin’ Donuts on Colorado Avenue in downtown Colorado Springs. With, in this case, plenty of packaged chocolate mini-donuts waiting at the trucks.

Chris Davenport skiing the Sierra Nevada's Mt. Langley

Then the weather changed. By the following morning, by the time the sun hit the cold backside of White Mountain Peak, there was enough wind sluicing down the canyon that they found themselves shouting at each other.

“It’s nuking up there!” yelled Pondella. Davenport nodded: “You can’t argue with the weather!”

So they turned around, punched their skis back out through the rabbit brush and scrub oak, drove up around Montgomery, took a nice long soak in one of the old tubs at Benton, and headed back down to the Gorge: you know, easy, Eastside-style—with the olive still marinating in the bottom of the glass.

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DolomiteSport is excited to have this contribution by Mammoth Lakes locals David Page and Christian Pondella. David is a superstar writer for clients such as Men’s Journal, the NY & LA Times and even DolomiteSport. Christian Pondella is a combo skier extraordinaire and the go to guy for the best professional skiing photography.

David Page’s site Sierra Survey is a great resource for mountain sports and stories in the Sierra Nevada

Christian Pondella’s Professional Photography, Stories and more are at his blog: Christian Pondella

Chris Davenport is a professional skier and hero of many ski movies